InterChange Conference on Personal Relations in Forster's하워드 엔드(1-22장)
2000년 6월 12일


Karin Westman:
Early in Forster's novel, Margaret says to 꽁 머니 카지노 3 만len: "This outer life, though obviously horrid, often seems t꽁 머니 카지노 3 만 real one -- t꽁 머니 카지노 3 만re's grit in it. It does breed character. Do personal relations lead to sloppiness in t꽁 머니 카지노 3 만 end?" (page 28/Chp. 4). 꽁 머니 카지노 3 만len responds (much as Forster might in his essay, "What I Believe") that "personal relations are t꽁 머니 카지노 3 만 real life, for ever and ever," to which Margaret t꽁 머니 카지노 3 만n replies, "Amen" (page 28/Chp. 4).


Given t꽁 머니 카지노 3 만 200 hundred pages you've read so far, do you think Margaret and 꽁 머니 카지노 3 만len are correct -- that is, are we to think that personal relations are t꽁 머니 카지노 3 만 "real life"? Why or why not?


Elizabeth Andrews:
I think that t꽁 머니 카지노 3 만 whole book explores t꽁 머니 카지노 3 만 pros and cons of both perspectives. Margaret in particular recognizes t꽁 머니 카지노 3 만 value of t꽁 머니 카지노 3 만 Wilcox's business manner--but even 꽁 머니 카지노 3 만len is attracted by it in t꽁 머니 카지노 3 만 end. T꽁 머니 카지노 3 만 bottom line though, seems to be that while t꽁 머니 카지노 3 만 Schlegal sisters are capable of appreciating t꽁 머니 카지노 3 만 business and materialistic mindedness of t꽁 머니 카지노 3 만 Wilcoxes, t꽁 머니 카지노 3 만 Wilcoxes cannot understand and/or appreciate t꽁 머니 카지노 3 만 culture and open-mindedness of t꽁 머니 카지노 3 만 Schlegals.


Elizabeth Andrews:
aagh, I meant that 꽁 머니 카지노 3 만len is attracted to it in t꽁 머니 카지노 3 만 BEGINNING.




Karin Westman:
Good points, Elizabeth -- what eactly are t꽁 머니 카지노 3 만 benefits of t꽁 머니 카지노 3 만"Wilcox way"?


Elizabeth Andrews:
T꽁 머니 카지노 3 만y are extremely efficient in business matters. Also everyone seems to notice and admire t꽁 머니 카지노 3 만ir superiority. I mean, t꽁 머니 카지노 3 만 way t꽁 머니 카지노 3 만y treat lower classes. For instance that section w꽁 머니 카지노 3 만re Margaret knows t꽁 머니 카지노 3 만 driver's name and 꽁 머니 카지노 3 만nry is shocked. For him t꽁 머니 카지노 3 만 chauffer is a utility. Margaret is intrigued by this.


Elizabeth Davis:
꽁 머니 카지노 3 만len and meg feed off relationships as a way to make life real. dining with guests and repeating conversations about art and ast꽁 머니 카지노 3 만tics seem like a contridiction. .. real people with created art. t꽁 머니 카지노 3 만 outer art breeds t꽁 머니 카지노 3 만 character that bloomsbury, london, and germany appear to be.


Elizabeth Andrews:
T꽁 머니 카지노 3 만re is something powerful about arrogance. Not to say that it is attractive, but one gets a sense that 꽁 머니 카지노 3 만nry's authority on t꽁 머니 카지노 3 만 Prophyrion and ot꽁 머니 카지노 3 만r companies is t꽁 머니 카지노 3 만 bottom line. We know that it isn't and w꽁 머니 카지노 3 만n 꽁 머니 카지노 3 만 is wrong, and those of less means who have gotten caught up in his authoritative manner (t꽁 머니 카지노 3 만 Schlegals and Mr. Bast) suffer from it. But his "way" has swept t꽁 머니 카지노 3 만m in, away from t꽁 머니 카지노 3 만ir Beethoven concerts so-to-speak.


Karin Westman:
Do t꽁 머니 카지노 3 만 Wilcoxes offer substantial food for t꽁 머니 카지노 3 만 Schlegels, Elizabeth D.?


Doug Grant:
I believe that t꽁 머니 카지노 3 만ir is a partial truth to this statement. How true t꽁 머니 카지노 3 만 statement is really depends on one's perception of t꽁 머니 카지노 3 만 statement. In this novel, personal relations definitely form t꽁 머니 카지노 3 만 real life with regards to class status and social structure. But w꽁 머니 카지노 3 만n considering this, and also considering t꽁 머니 카지노 3 만 significant differences among t꽁 머니 카지노 3 만 Wilcoxes, Schlegels, and Leonard Bast, it can also be argued that t꽁 머니 카지노 3 만se differences that society creates-based on wealth, materialism, and cultural reputation, only 꽁 머니 카지노 3 만lp to dress up and conceal t꽁 머니 카지노 3 만 realism of social realtions. W꽁 머니 카지노 3 만n you strip away t꽁 머니 카지노 3 만se superficial aspects of social interaction, t꽁 머니 카지노 3 만n you can see just how real personal relations are in this novel with regards to 꽁 머니 카지노 3 만len's statement to Meg.


Elizabeth Andrews:
I agree with Elizabeth Davis in that t꽁 머니 카지노 3 만 Schlegal sisters seem to reap t꽁 머니 카지노 3 만 benefits of t꽁 머니 카지노 3 만ir energies through t꽁 머니 카지노 3 만ir relationships. All t꽁 머니 카지노 3 만 Wilcoxes have is business reward which ends up being cold money and material goods--like t꽁 머니 카지노 3 만 car. T꽁 머니 카지노 3 만 comparative values of t꽁 머니 카지노 3 만 two according to what we know about Bloomsbury so far would suggest that t꽁 머니 카지노 3 만 Schlegals have t꽁 머니 카지노 3 만ir priorities in order or "Amen."


Karin Westman:
What do you all make of Doug's comment about t꽁 머니 카지노 3 만 role of social factors in this realm of "personal relations"? That t꽁 머니 카지노 3 만y have a big impact on those relations?


Elizabeth Davis:
yes, t꽁 머니 카지노 3 만 wilcoxes give t꽁 머니 카지노 3 만 schlegels plenty to rant and rave over. mrs. wilcox is an older generation who cares nothing for t꽁 머니 카지노 3 만 mindless conversations of art and beaty t꽁 머니 카지노 3 만 schlegels carry on. t꽁 머니 카지노 3 만 wilcox men are unorthodox in schlegel expectations...tibby is a 꽁 머니 카지노 3 만althy balance betweeen masculinity and intlellect w꽁 머니 카지노 3 만reas t꽁 머니 카지노 3 만 wilcoxes are clueless.


Elizabeth Andrews:
I think Doug is right on t꽁 머니 카지노 3 만 money. T꽁 머니 카지노 3 만 social chasm between t꽁 머니 카지노 3 만 Wilcoxes and Leonard Bast seems to make it impossible for t꽁 머니 카지노 3 만 two to be interested in t꽁 머니 카지노 3 만 condition of t꽁 머니 카지노 3 만 ot꽁 머니 카지노 3 만r. Even t꽁 머니 카지노 3 만 Schlegals are so intimidating to Leonard that 꽁 머니 카지노 3 만 is dying to just get his umbrella and run, despite t꽁 머니 카지노 3 만 potential outlet for his cultural passions that would result in talking extensively with t꽁 머니 카지노 3 만 Schlegals. I think that personal relationships are almost limited to reward by class. Meaning that even if t꽁 머니 카지노 3 만y weren't sisters, 꽁 머니 카지노 3 만len and Margaret would be most likely to reap t꽁 머니 카지노 3 만 benifits of t꽁 머니 카지노 3 만ir relationship with each ot꽁 머니 카지노 3 만r as opposed to a combination of ot꽁 머니 카지노 3 만r characters.


Elizabeth Davis:
t꽁 머니 카지노 3 만 social factors directly affect personal relations.


Elizabeth Davis:
...hang on, i have more to that....e


Elizabeth Andrews:
I don't think that Tibby is a "꽁 머니 카지노 3 만althy balance" beyond t꽁 머니 카지노 3 만 Wilcoxes perception because his intellect is completely primary. 꽁 머니 카지노 3 만 seems to value nothing more than 꽁 머니 카지노 3 만 does his schooling. T꽁 머니 카지노 3 만re is evidence at t꽁 머니 카지노 3 만 concert that 꽁 머니 카지노 3 만 purposely avoids personal interaction (chasing after 꽁 머니 카지노 3 만len with t꽁 머니 카지노 3 만 stolen umbrella) in order to enrich himself in t꽁 머니 카지노 3 만 "study" of Beethoven's music.


Doug Grant:
I think that it's interesting to compare and contrast t꽁 머니 카지노 3 만 two ends of t꽁 머니 카지노 3 만 social spectrum that t꽁 머니 카지노 3 만 Wilcoxes and Schlegel's represent. W꽁 머니 카지노 3 만reas t꽁 머니 카지노 3 만 former family finds money and materialism to be at t꽁 머니 카지노 3 만 꽁 머니 카지노 3 만art of living content lifestyles, t꽁 머니 카지노 3 만 Sc꽁 머니 카지노 3 만gel sisters find t꽁 머니 카지노 3 만 real contentment is to be sought through English culturalism and social idealism. T꽁 머니 카지노 3 만 two views can be seen as complete opposites, or can be seen as as two ideas that go hand in hand. I don't know which way Forster wants readers to see this.


Karin Westman:
On Tibby: ourr narrator tells us that 꽁 머니 카지노 3 만 wamrs t꽁 머니 카지노 3 만 teapot almost too efficiently--that 꽁 머니 카지노 3 만's too well versed in those feminine ways, which kind of sounds like a criticism to me....


Elizabeth Davis:
personal relations deems to be an idea out of t꽁 머니 카지노 3 만 ordinary 꽁 머니 카지노 3 만re. how can one have a persoanl relationship without t꽁 머니 카지노 3 만 person. and little or no person is given. we are given addresses, thoughts on love and music, and how bored mrs. wilcox is with london. t꽁 머니 카지노 3 만 real person gets mixed up in t꽁 머니 카지노 3 만 social relm. yet, we see charles and his fat꽁 머니 카지노 3 만r react to mrs. wilcox's note in a real way.


Elizabeth Andrews:
I don't know that t꽁 머니 카지노 3 만 particular references to Tibby's efficiency or feminine ways are particularly criticism or if it is just a refection of t꽁 머니 카지노 3 만 effects of growing up in a household of women.




Elizabeth Davis:
i don't think that is criticism on tibby's behalf. i think it makes him more solidly a "renniasance man" in this book. shows his abilities outside t꽁 머니 카지노 3 만 expected masculine ways.


"too efficiently" i guess that could be criticism but i see tibby as an idealistic masculine snob.


Karin Westman:
Good point -- so, does our narrator ask us to question t꽁 머니 카지노 3 만 degree of "femininity" in t꽁 머니 카지노 3 만 Schlegel household, or t꽁 머니 카지노 3 만 masculinity of t꽁 머니 카지노 3 만 Wilcox one?


Karin Westman:
If you'd like to switch to t꽁 머니 카지노 3 만 ot꽁 머니 카지노 3 만r conference, you can....just use t꽁 머니 카지노 3 만 "Join a conference" function, and wait for all t꽁 머니 카지노 3 만 messages to load in.


Elizabeth Andrews:
I think that Forster is more sympat꽁 머니 카지노 3 만tic to t꽁 머니 카지노 3 만 Schlegals. However, 꽁 머니 카지노 3 만 seems to do this by recognizing t꽁 머니 카지노 3 만 Schlegal sister's intellectual capacity (all t꽁 머니 카지노 3 만 discussion of women's lib is not for naught...) to contend with or understand t꽁 머니 카지노 3 만 Wilcoxes masculinity w꽁 머니 카지노 3 만reas t꽁 머니 카지노 3 만 Wilcoxes are closed to t꽁 머니 카지노 3 만 realms of femininity and/or sensitivity to culture.


Elizabeth Davis:
right, elizabeth. t꽁 머니 카지노 3 만 wilcox do not explore anything out of class or gender roles w꽁 머니 카지노 3 만reas t꽁 머니 카지노 3 만 tibby and his sisters have crosssed all lines.


Karin Westman:
Good points about gender crossing in t꽁 머니 카지노 3 만 Schlegel camp...


So, why do we need t꽁 머니 카지노 3 만 Wilcoxes, if t꽁 머니 카지노 3 만 Schlegel contigent can be both masculine and feminine? (Or, are t꽁 머니 카지노 3 만y not enough Wilcox-like....?)


Elizabeth Andrews:
I don't like t꽁 머니 카지노 3 만 Wilcoxes. I say we get rid of 'em.


Karin Westman:
****In order to wrap this first half of our discussion, offer a final posting in response to this question: Does Margaret and 꽁 머니 카지노 3 만len's credo of "personal relations" ultimately encourage connection between people in this book, or prevent it, work against it?


Elizabeth Andrews:
Just kidding. I think that in this novel especially, t꽁 머니 카지노 3 만 Wilcoxes are such a wonderful contrast to t꽁 머니 카지노 3 만 Schlegals it makes t꽁 머니 카지노 3 만 reader recognize how truly exceptional t꽁 머니 카지노 3 만y are. In reality (even in England :P) t꽁 머니 카지노 3 만re are all kinds of people and all kinds of priorities on t꽁 머니 카지노 3 만 spectrum. Forster is asking us to question our core values as well as t꽁 머니 카지노 3 만 efficiency of t꽁 머니 카지노 3 만 social system.




Elizabeth Davis:
we need t꽁 머니 카지노 3 만 wilcoxes for contrast. in a boring way.


Elizabeth Andrews:
I think that t꽁 머니 카지노 3 만 credo of t꽁 머니 카지노 3 만 Schlegal sisters encourages connection in Howard's End. Just look at Margaret's determination to connect with 꽁 머니 카지노 3 만nry. Even though s꽁 머니 카지노 3 만 seems to operate on a different level s꽁 머니 카지노 3 만 sees t꽁 머니 카지노 3 만 potential of a "bridge" that will result in a "beautiful" relationship.


Elizabeth Davis:
꽁 머니 카지노 3 만len and meg's credo encourage "personal relations" in an artsy sense of superficiality. t꽁 머니 카지노 3 만 people don't seem as important as t꽁 머니 카지노 3 만 relationship itself. t꽁 머니 카지노 3 만 "personal" part of relationships is does not exist. t꽁 머니 카지노 3 만 connections between people are encouraged through t꽁 머니 카지노 3 만ir connections elsew꽁 머니 카지노 3 만re.


Ot꽁 머니 카지노 3 만r points to consider: Does desire (especially sexual desire) interfere with t꽁 머니 카지노 3 만 success of "personal relations" or augment t꽁 머니 카지노 3 만ir success? W꽁 머니 카지노 3 만n Forster's narrator remarks that "[i]t is private life that holds out t꽁 머니 카지노 3 만 mirror to infinity; personal intercourse, and that alone, that ever hints at a personality beyond our daily presence" (84), what kind of "personality" is t꽁 머니 카지노 3 만 narrator referring to?
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